This amazing septet is formed by some of Chicago's most versatile musicians from a cross section of genres. The overall sound is dynamic, highlighted by each member's willingness to be part of one voice inside a powerful groove. Mike Allemana's arrangements set this group apart, creating a new vibe that draws on the past collaboration by Ellington and Mahalia Jackson (hence the nod to "Come Sunday") but spiced up with a young vibrant wall of sound.

Each player brings their own personal spin to the mix, creating a sonic quality that is new to the gospel-jazz form. The progressive and irrepressible Lenny Marsh on drums sets a rock tinged back beat. The veteran Al Ehrich's bass lines are cool and smoky, making every note count. Mike Allemana recently voted best jazz soloist in Chicago (The Chicago Reader) weaves melody and improv lines throughout each tune with his signature jazz guitar. The vocalists come from a rich musical history as well, Lindsay Weinberg brings her soulful stylings informed by her own work as lead vocalist for Chicago's own swing band: Baba Manouche. Alton Smith lends his extraordinary range and stirring improvisations to each number. Bill Brickey, well versed in gospel and rock lends a downright remarkable "other-worldliness" to the sound, bringing audience members to their feet with his interpretations. Sue Demel known for her work as folk singer-songwriter in the band Sons of the Never Wrong, adds a weave and a punch to the mix.

There is a definite buzz buzzing around the windy city for this exciting ensemble. Come see "Come Sunday" and explore a historic musical tradition turned upside down, the show is full of tight harmonies, crazy musical grooves, heartbreaking hymns, and an improvisational call and response surprise around every corner.

(Photo by Ben Chandler)