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This amazing septet is formed by some of Chicago's most versatile musicians from a cross section of genres. The overall sound is dynamic, highlighted by each member's willingness to be part of one voice inside a powerful groove. Mike Allemana's arrangements set this group apart, creating a new vibe that draws on the past collaboration by Ellington and Mahalia Jackson (hence the nod to "Come Sunday") but spiced up with a young vibrant wall of sound.
Each player brings a personal spin to the mix, creating a sonic quality that is new to the gospel-jazz form. The progressive and irrepressible Lenny Marsh on drums sets a rock tinged back beat. The veteran Al Ehrich's bass lines are cool and smoky, making every note count. Mike Allemana, guitarist for sax legend Von Freman and in 2008 voted best jazz soloist in Chicago (The Chicago Reader), weaves melody and improv lines throughout each tune with his signature jazz guitar. The vocalists come from a rich musical history as well. Sue Demel, known for her work as folk singer-songwriter in the band Sons of the Never Wrong, weaves her inspiring sound through the mix, adding soothing tones as well as breathtaking punches of vocal energy. Lindsay Weinberg, a much sought after singer and teacher, adds her golden-throated, remarkably intuitive, jazz flecked alto stylings. Alton Smith lends his extraordinary range, brilliant musicianship and stirring improvisations to each number. Bill Brickey, well versed in gospel and rock, lends a downright remarkable "other-worldliness" to the sound, bringing audience members to their feet with his interpretations.
There is a definite buzz buzzing around the windy city for this exciting ensemble. In 2009 Come Sunday was invited to perform at the Chicago jazz Festival. Come see "Come Sunday" and explore a historic musical tradition turned upside down. The show is full of tight harmonies, crazy musical grooves, heartbreaking hymns, and an improvisational call and response surprise around every corner. (Photo by Ben Chandler)
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